Friday, September 26, 2025

Fauna - Ochre & Ash (2025) Review

Some years ago, I went on to put a few words together about Fauna's then latest and final album Avifauna, but was so oversatisfied with their own description, that I quoted them in full instead. This time, to urge you to visit their Bandcamp page and support this once in a lifetime kind of artistic entity, I won't take the whole text as is, but instead I'll define some important terms:

  • Animism: The belief that natural objects, places, and beings possess a spiritual essence.
  • Shamanism: A spiritual practice in which a healer or mediator communicates with the spirit world to guide or heal a community.
  • Atavism: The reappearance of traits or behaviors from distant ancestral origins, often seen as a throwback.
  • Ochre: A natural earth pigment, usually reddish or yellowish, used by humans since prehistory for art and ritual.
  • Ash: The powdery residue left after something is burned, often symbolizing both destruction and the possibility of renewal.

The rest of my review, would actually be the Bandcamp description itself, and a 5/5 rating. That's all there is when it comes to this band's presence in black metal.

Extending much further than the conventional atmospheric or ambient black metal template, unfurling in long, organic movements that breathe 9000 year old air and with an overwhelming focus on the element of atmosphere, Ochre & Ash is a ritual for both performer and observer. You may have seen the words atmosphere and ritual being passed around with a light heart elsewhere, but this here is the epitome of their essence.

The album art itself nods: Cueva de las Manos, old hands stencilled into rock inside Argentina, some older even than agriculture. In that image lies the soul of Ochre & Ash, symbolizing the human animal as more than craft or survival, but belonging to earth, to spirit, to what endures beyond the blood-letting of time.

I often mention how the interludes are the first to skip in these albums, yet here they are stunning in their own right. Weaving field-like sounds, drones, and subtle textures that conjure the presence of forests, caverns, and the ghost of ancient ritual fires, they're as effective as the three main (and seriously long) compositions. 

Each one of these three, requires a separate post. Until then, I'll just say that there's no band in this sub style, that feels more real than this. And to think, we haven't even recovered from the return of Volahn last week, and now this...

Nature and madness

Rating | 4.5 out of 5 [Brilliant]

Thursday, September 18, 2025

Condemned - Desecrate the Vile (2007) Review

Right from the wretched womb that gave birth to Disgorge (one of the tightest brutal death metal bands of all time), released just a couple of weeks before the debut of Cephalotripsy (one of the filthiest brutal death metal records of all time), and sharing members from both aforementioned monstrosities, Condemned's debut Desecrate the Vile was released in 2007 through Lacerated Enemy Records with a clear goal to be the most accessible album you'll come across.

If you've been around the blocks of this blog, I shall not continue. I have mixed feelings for both Realms of the Ungodly (2011) and Desecrate the Vile when the maniac side of my brain takes over, but when in the mood for thick, brutal as hell extremity, then riffs of a band like this stomp on the heart like the proverbial ton of bricks. 

The album embodies everything the genre’s devotees demand. From subterranean gutturals to slam-laden riffing, it keeps the sense of suffocation constant and has a production so dense, you'll feel like swimming in honey is easier. It's their right to paraphrase legends:

"You merely adopted the slam, I was born in it, molded by it".
- Angel Ochoa

I'm sort of missing a bass sound in this mayhem, yet it's definitely there, as one can notice from the first seconds of the album's highlight "Chapter of Defilement". 

Most of the tracks are fairly short (1 - 3 minutes), monotonous, borderline underdeveloped but with primal purpose, and then you have an 11 minute composition, "Amputated Repugnance" as closure. Worry not, as it's largely distorted, post-apocalyptic noise / dark ambient creepiness from the third minute onward, as if you're playing a video game and navigate through a barren wasteland with creatures of unknown origins hunting down on you.

Otherwise, Desecrate the Vile would be 20 minutes long instead of half an hour, and that would then make it a masterpiece!

No epitaph to be found


 
Recorded in July 2006 at RedCrosby Studios Fallbrook, CA.
Mastered at Imperial Mastering, Pacheco, California, USA.
Produced by Jeremy Craw and Condemned.

Friday, September 12, 2025

Lorna Shore - I Feel the Everblack Festering Within Me (2025)

Symphonic Deathcore
New Jersey, United States 

1. Prison of Flesh
2. Oblivion
3. In Darkness
4. Unbreakable
5. Glenwood
6. Lionheart
7. Death Can Take Me
8. War Machine
9. A Nameless Hymn
10. Forevermore 

Read about it 

Tuesday, August 12, 2025

Malthusian - The Summoning Bell (2025)

 
Black / Death Metal
Dublin, Ireland
 
 1. Isolation
2. Red, Waiting
3. Between Dens and Ruins
4. The Summoning Bell
5. The Onset of the Death of Man
6. Eroded Into Superstition
7. Amongst the Swarms of Vermin
8. In Chaos, Exult
 

Wednesday, July 30, 2025

Scalp - Not Worthy of Human Compassion (2025)

 
Death Metal / Grindcore / Harcore
Orange County, California / United States
 
1. LTARMLAC
2. EgoDeath
3. Pit
4. 80AcresofHell
5. ShackleRot
6. Crowsfoot
7. Loather
8. SurrogateVictim
9. Untitled
10. Conspiracy
11. RigorVivus
12. Drag
13. Bottomless