Nov 15, 2020

Young and in the Way - Ride off and Die

Needless to say, it is a big and unexpected turn to see a new album by Young and in the Way, minimally promoted, splashing in the world out of nothing. After the burning incidents that rose to the surface a couple of years ago, I believed this band was put to rest for good. And even though they have now a new full length album, fans should not trust in a full return as it is stated by the band that this is "the final album by The True Enemy". Entitled Ride off and Die, it is an appropriate swan song for a band like that, while the obvious Darkthrone reference stands out (they even have a song named "R.O.A.D." here). 

It almost feels like not a day has passed since When Life Comes to Death, except for the fact that the band has now exposed its core and stripped the music down to the bare necessities. The titles and lyrics, angry and straightforward, tell the tale of the wounded beast in punkish filthy fashion, with the hard-hitting compositions being exactly what Young and in the Way does best: pompous beats, harsh screams, cutting guitars and abundant feelings of hostility.

If you've heard of them before, at times it will feel like you've heard this before. The techniques are all the same, yet Ride off and Die is one hell of an enjoyable record because there is hardly any misstep. The band has channeled all its rage from the last few years into one record that might seem simple but isn't easy to achieve, and the listener will definitely feel how sincerely pissed they are with everything. I remember liking their previous album but this, more direct in its nature, fits wonderfully as the album to completely describe what this band is about.

Not a single track is to be skipped (interesting background synths in "Endless Night", plenty of energy in the riffs of "Suffering Dawn", "There is No God, Only Me" and "Ready to Explode", "R.O.A.D." is a two minute Young and In the Way anthem) but most of a note must be left for the last one "You Can't Kill Me". Seven minutes (not as long as other closing tracks they have done), the middle paced passages with the clean vocals towards the end, as well as the final solos / screams, are a highlight for the record and the band. 

Let's see if this will get any coverage from zines around, yet I wouldn't bet my money on that. Ride off and Die sees off Young and in the Way in such manner that there needs to be no more activity from them. The band probably doesn't care anymore, they're throwing this out there and suggesting its title as the way to deal with it, and as the last lyric goes, "you can't kill what's fucking dead" is the take home message for us.

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