Lamp of Murmuur - Heir of Ecliptical Romanticism (2020) Review

One of the problems with the modern scene is how saturated it is across all genres, but the fact that someone points it out again is in itself saturation. Stop making new bands.

Looking at a bleached black and white cover, with stapled titles in thorny fonts and a dude in corpse paint, makes me sigh instantly nowadays. Romanticism? There goes another mellow project that's into gothic rock, post-punk and no energy trying to put me to sleep. Lamp of Murmuur is none of all things. 

Their demos leading to this full length were all amazing. The music here is catchy, memorable and harsh. The Dead Can Dance cover is great. Finally, here is a project that managed to pull of the melodic / raw black metal trick properly, and this result is quite an achievement. 

Pretty epic album, with long tracks full of fantastic material for your ears and your friends. It will also help you not think of their latest release. Recommended. [4 out of 5 - Excellent]

Los Angeles, California, US | Self-released

Website | Listen

Track listing:

1. Of Infernal Passion and Aberrations

2. Bathing in Cascades of Caustic Hypnotism

3. Gazing Towards the Hallways of a Peaceless Mind

4. The Scent of Torture, Conquering All

5. Chalice of Oniric Perversions

6. Heir of Ecliptical Romanticism

7. The Stars Caress Me as My Flesh Becomes One With the Eternal Night

8. In The Wake Of Adversity (Dead Can Dance cover)

Total runtime | 00:47:29

Lamp of Murmuur - Saturnian Bloodstorm (2023) Review

Among the numerous underground, noisy raw black metal projects that make appearances and disappearances in the scene the last few years, one of the most talked about ones has definitely been Lamp of Murmuur. After a series of demos and a split with Revenant Marquis, this band captivated the audience with its grandiose debut Heir of Ecliptical Romanticism in 2020, a record that found its way even to more mainstream lists and ears despite its harsh nature. Undoubtedly, there was massive inspiration and merit in that release, which did not evaporate at the follow-up album Submission and Slavery in 2021, establishing the Lamp of Murmuur name for good as a newcomer to look out for in black metal. 

Up to now, everything has been bleached in black and white representation, which brought the first wave of shock in the form of the well-designed, colourful cover art of the new record Saturnian Bloodstorm (which is, as the title, actually delightful). I had been in waiting for the time Lamp of Murmuur will actually step outside of its shadow and aim bigger, this attempt coming now with this polished work that wants to take them closer to the spotlight. 

While I am all for band ambition, the discography on their shoulders is already quite heavy and for what it is, Saturnian Bloodstorm is surprisingly uninteresting and stale. It is clear that the band makes almost tribute albums to their music role models (Submission and Slavery was a love letter to Sisters of Mercy) and now this record looks Immortal straight in the eye. Taking a production even cleaner than At the Heart of Winter, a worrying chunk of this album feels and sounds like Immortal, their landmark guitar sound and riff structure. The guitar lines are too close to that (reeking examples in “Hymns of Death, Rays of Might”, “Seal of the Dominator” and “In Communion with the Wintermoon”, as in, wintermoon…) but the record lacks the energy, the pathos and the vitality of the previous Lamp of Murmuur works. 

It almost doesn’t feel like them, and what was unique and exciting to listen to before from this band, has now completely disappeared, them having turned into a Scandinavian norsecore clone with slim to none of their own identity. Saturnian Bloodstorm is fun to listen to, it is clean enough to not be annoying and has a couple of catchy moments. But this statement by itself, is a huge disappointment when talking about Lamp of Murmuur.

Out on March 26th, 2023 | Argento Records

DAMAGE: 2.5/5 [Average]