Belzebong - The End Is High (2026) Review

A long time ago, I shared how back in 2009 my accidental initiation into the smoke-drenched corridors of stoner metal came courtesy of Belzebong’s first demo, soon followed by the debut full-length Sonic Scapes & Weedy Grooves (2011). That record, alongside the equally effective follow-up, Greenferno (2015), remains one of my favorite releases of the genre, even while only instrumental. For me, the absence of vocals amplified the narcotic density of the riffs, allowing groove and atmosphere to rule over everything else.

I somehow lost interest in subsequent releases by the band, never delved into Light the Dankness (2018) or the tongue-in-cheek live recording in Norway, De Mysteriis Dope Sathanas - Live in Oslo (2021), it was enough to laugh a bit though. Early material has retained a certain replay value for me, even though the overall aesthetic doesn’t stick today. With The End Is High, reconnecting with Belzebong feels seamless, not a single day has passed, and all the hallmarks are intact: vivid weedy artwork, track title wordplays a la Cannabis Corpse (and others), a wordless approach, but above all, pudgy groove-laden stoner doom.

The characteristic slow-burn build unfurls with opening track “Bong & Chain”, while “420 Horsemen” is faster in tempo and introduces buzz and abstraction into the haze. “Hempnotized” remains obsessed with hulking, middle-paced riffs, but for me the closer “Reefer Mortis” is what truly lingers, and especially the mid-section guitar lines that evoke the morbid swagger of Church of Misery, just without the serial killers. At the end of the track, you get to hear again an epic voice sample quoting the cult classic horror comedy The 'Burbs from 1989. If you know the movie, you know what scene they’ve mashed up.

Production remains polished as always, at least in the same way as it has been since Greenferno and onward. While surpassing the highs (pun intended) of their debut proves to be a tall order, The End Is High finds Belzebong committing no missteps. An enjoyable return to the studio, but leaves me wanting… Well, to listen to the first one again.

These are eyes of young girl, barely out of high school. Her name is Alice Trenton and she's been on a long, long trip……

Release: February 20th, 2026 | Heavy Psych Sounds Records
Rating: 3.5 out of 5 

Bongripper - Empty (2024) Review

Doom-sludge titans Bongripper from Chicago have always dwelt in the low end. With their eighth full length album Empty, the band keeps ripping boundaries of repetition to shreds, expressing themselves through immense instrumental doom metal weight at levels of meditative heaviness that almost no one can replicate. Four tracks (two of them above 20 minutes in duration) and a total of more than an hour of crushing doom in the purest form, at which you'll either surrender to or wholly pass by. 

From the outset, Empty reeks of riff-devotion: detuned guitars, distortion thick as molasses and drums slow-rolling like glaciers in motion. The album has a constant, overwhelmingly dominating hypnotic nature, standing out due to the band's everlasting patience for the long haul. Melodies ruminated upon and stretched to uneasy forms, twisted into murky drone / sludge before returning to clearer doom metal stomps, all delivered with lumbering brute force. 

Opener piece "Nothing" features the slowest build-up and features some interested, distorted Sleep worship towards its last five minutes. Mid-tempo dirges that flirt with crunchy tremolos and ghostly leads appear both at the very end of that track and in the one that follows, "Remains". On "Forever", the band takes a more atmospheric approach that hints at post-doom grandeur rather than blacksmith hammering, reminding of YOB but still quite distinctly played as a Bongripper jam.

The final, self-titled track consolidates Empty's themes of doomy repetition with subtle yet substantial variations, but includes a cathartic release of a blast-beat induced black metal section, that breaks free from the drag of the rest of the rest of the record. At that moment, it brought 2010's Satan Worshipping Doom to mind, as they did something similar on a track on that album, yet I have to admit that I am not sure if it's a more frequent stratagem by the band or if it just appears these two times.

No sound is reinvented on Empty, but that's not what Bongripper are about. The band takes its time on how long to hold notes, when to pull the rug out, and how to compose the most direct, low-tuned and heavy doom metal possible, with neat influences from sludge, drone and stoner. It takes time, and it needs time. The formula might be a bit too comfortable by now, the terrain too familiar, but in this genre, this mastering of atmosphere is what counts. If it's your first time, welcome to the underbelly of doom. [4 out of 5]

Nothing remains forever empty 

Conan - Blood Eagle (2014) Review

Album | Blood Eagle
Country | United Kingdom
Genre | Stoner / Doom Metal
Label | Napalm Records

| Seek eyeless dwarf |

Conan are one British act that slowly grows into a powerhouse for stoner metal these years, setting their mark with Battle in the Swamp EP in 2007 and releasing material since then. Their debut full length album in 2012 a remarkable statement, working on hypnotic, slow music for pill enthusiasts and stoner freaks. Now, Blood Eagle seems efficient and tight at first glance, while the music is nothing less than what's expected of them, through it's fourty four minute length.

This band knows how to take a single note and repetitively make it awesome, focusing on it's bottomless distortion rather than musical variety. They move above the border of stoner rock, into some really heavy sludge / stoner metal location, maybe as heavy as that genre can be if it has to be listenable as well. Listening to Blood Eagle is all about a riff or two, a stomping bass sound, far chanting vocals and a fuzzy atmosphere, while the speed rarely dares to step further than a standard snail pace, only throwing a couple of a little faster moments, like in the tracks "Total Conquest" and "Foehammer".

The job of Conan seems easy but it's not random and really acute. Their songwriting is not extremely crazy and not even extraordinary for the genre, but still it's production and down tuned aggression is what characterizes it's powerful and outstanding sound. What is regurarly loved in stoner will be highly appreciated here as well, like the monotonous drones, the cymbal rides and of course, the guitar melodies. It's all about them in fact, thick as if you need to lay back, relax and enjoy the album.

The durations of the tracks vary from five to nine minutes and lyrically, the band revolves around mythology instead of typical stoner subjects. The lyrics are not that many either, apart from a few words in each track. Yet, the vocals are amazing and appear as much as they are needed (the less vocals / lyrics, the better. Instrumental equals tripping here), comfortably yelling the words from somewhere far away. I'd rather say it's an album for fans only, because it doesn't leave any space for unaware listeners to indulge, when being that... stoner.

To me, Blood Eagle is a notable release by Conan, already being one of my favorite albums in that area. If you're looking for actual heavy music in stoner, these guys fit all the parameters and know how to slowly distort the reality around you into something more colorful and depressed too. The record shows confidence and stability, that's why it's one of the most legit yet. In the name of doom!

DAMAGE: 8.5/10

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Belzebong - Dungeon Vultures (EP, 2013) Review

Belzebong "Dungeon Vultures"

Instant Classic, Spring 2013

Listening needs

Physical needs

I remember i stumbled upon their first demo in 2009 because that green smoking goat they had in the cover drew my attention, as always, and i thought i should check it out. I was not familiar with the stoner rock/metal genre back then, i had listened to some bands by accident but i didn't know what was what. To this day, i enjoy that demo. They later on released a full length which got me even more into them, despite the mixed feelings the stoner community has about them (some love them, some don't, at all).

And now, there we have a new EP that was released this April by a local polish label, there is another new song around the internet, assuming a second full album? Maybe. Till then, we have an EP with one 14 minute song. If you're familiar with this band, you know what that means. It follows the simple recipe they've been using in the past years, they hail the bong with down tuned slow and heavy riffs, samples and a talking introduction, stoner/doom melodies, no vocals (a relief, they would not fit anywhere here) and a trippy mood of course.

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DAMAGE: [7.0/10]