Showing posts with label Moonblood. Show all posts
Showing posts with label Moonblood. Show all posts

Nov 29, 2013

Moonblood - Blut und Krieg (1996) Review

Country | Germany
Genre | Black Metal
Label | Majestic Union
Dynamic range | DR8

| Under the forests, the mountains |

Perhaps one of the most respected names in underground black metal, through hard work and many releases, with a firm stance for over a decade, they carved out their own name in the history of the scene. No other than the infamous Moonblood, the German act of Occulta Mors and Gaamalzagoth, still continues to have a strong impact even after they disbanded in 2004. Blut Und Krieg is their maiden full length album after many rehearsals and demos, originally released on cassette and later re-released by many companies in all physical forms possible that's it's now hard to recognize originals from zine / label copies. The originals, adopted by Moonblood themselves, were only cassettes and vinyls, since "CD versions were very easily accessible by everyone". This band is my own personal favorite, and the very first I heard of black metal. Maybe a little unorthodox beginning, but I am glad that I have discovered them.

True to the essence of unclean production, the band does not spend time perfecting their sound in the studio, with a purpose to create something totally primitive. Every instrument is audible and that's satisfying, but the mixing and mastering seems incomplete. Many fans have this band as a comparing standard when talking about how raw a different band sounds, but it's distinguishable and completely epic from the start to the end, don't think that it's noisy and unlistenable. The musicianship does not consist of instrument machines and there is no shredding anywhere, both members possess the vision and the talent to compose great songs of accurate lines, and not necessarily complex or difficult.

The album starts with an atmospheric introduction with interesting samples and a church bell . It takes less than a minute, but it is more than enough to create the right, dim and dull atmosphere. First track "In a Bloody Night of Full Moon" enters at medium speed , with simple riffs and drums, based on a melody of a synth and it's pretty epic. It can be compared with "Det Som En Gang Var" by Burzum, having the familiar style of Moonblood and quite good for the first track on the disc. The second track is called "Shadows" and it is relatively fast and more "uplifting", as in the introduction there is a 80s heavy metal riff with solid screaming, later including a good tremolo melody. The drums are faster and closer to the style of the genre than in the previous track. The "... And The Snow Covered The Lifeless Bodies" begins with a cold melody, which compulsively creeps up the main part of the piece, having nice guitar lines. It keeps a constant rate and no major changes during it's nine minutes of length.

The next track is called "My Evil Soul" and it's a track from a previous rehearsal they had recorded, one of the strongest tracks on the album . It's faster and more direct than the rest, the combination of orchestration and unearthly voice creates an awesome effect. The title track begins with a melody similar to "... And The Snow ..." and slows the album down again, as a nostalgic synth line shows itself. The "Kingdom of Forgotten Dreams", has interesting riffs and works as a standard Moonblood track. Then, "Under the Cold Fullmoon" is an amazing track. It combines slow-moving melodies with epic moments , all instruments perfectly coexist and the voice is incredible. The last track "I Am All" follows the footsteps of the previous one, with the same duration and intensity. The album closes with a two-minute outro, consisting of keyboards and vocals, without being anything special .

As a whole , the album is very good , and it has dedicated to one attention and time. The particular production is this that makes the assembly stand , which is quite dirty, but without burying a component of music. The vocals are a little louder than they should be throughout the disc, but not to a point that they ruin the result. Even though a full length might be irrelevant with these guys, since the production and sound of their albums is very similar to the demo recordings (anything cleaner is of no need), it's good to have some specific points of reference. Blut Und Krieg is such an album for this band so if you want to get into them but you're confused with the large number of rehearsals, demos, splits etc.. Start from here! Great band with a great admiration of their own spirit.

DAMAGE: 8.25/10

Jul 12, 2013

Moonblood & Deathspell Omega - Sob A Lua Do Bode / Demoniac Vengeance (Split, 2000) Review

Moonblood & Deathspell Omega "Sob A Lua Do Bode / Demoniac Vengeance"
2000, End All Life Productions


Both of these bands have their own popularity in the scene and they are respected by many, for their ideological stability and musical consistency, with releases way above average each. This union took place thirteen years ago and it was one of the last official Moonblood releases before they disbanded. Of course, all of us know the path Deathspell Omega have followed since then and we are very pleased about it.

Even if the official copies were limited to vinyls only, some other distros printed bootleg CDs of it and i happen to own one of them. Kris Verwimp was the one that designed the spectacular art of the Moonlbood cover, a famous illustrator for metal bands. The split contains four Moonblood and three Deathspell Omega songs, lasting a little bit over fourty six minutes. I always have high hopes for quality bands like these and once again i was not let down.

The ceremony begins with the Moonblood side, which contains, to me, some of the best songs they ever recorded. The production is deliberately as dirty as it should be to give the appropriate feeling, and shrieked vocals combined with yells and screams make the tracks even more obscure than they were with the freezing instrumentation. Some of my favourite black metal riffs are contained here, and all the songs are amazing, if you are in the mood. The known habit of black metal artists to wander around forests (which is often mocked by everyone) aches in these tracks, and it wakes the urge inside you to do it yourself. "A Silent Dream of Impurity" and "I Hail The Night" are my favourite Moonblood songs and "Forgotten Spells In The Forest" is right behind them. The titles and lyrics are quite graphic and have become a cliche today because of the repetition, but no one reaches the level of these two guys.

We continue, as the Deathspell Omega side rises. It is definitely straight forward like most of the french bands back then, with very nice variations and riffology. It gives away a bit of the majestic sound they would produce some years later, but it is not fully shaped by that time. They can be described as the LLN descendants, with about the same sound but extremely improved musicianship. Three solid songs showing the first steps of this band, a must for the collectors.

If i was to compare the two sides, i'd definitely go with Moonblood. Their stuff here are mindblowing, so good that they make the mighty Deathspell Omega sound opaque. I enjoy the whole split and it has always been in my playlist, because of the effort these two bands have put into it. The fact that i prefer the one band over the other, doesn't mean that i don't like them both, a great collaboration that every black metal fan should listen.

DAMAGE: [8.0/10]