Showing posts with label 2024. Show all posts
Showing posts with label 2024. Show all posts

Dec 20, 2024

Albums of the Year 2024

Arson Cafe AOTY 2024 front cover art

When is it better to reflect than at the year’s twilight? Days shined brighter this time compared to the last one, but I can’t say the same about the sonic wreckage left behind after 12 months and 365 dawn to dusk sessions of intense and not so intense listening. Admittedly, I did not step too much out of my comfort zones, or at least not forcibly, just to elaborate on more eclectic practices while sprinkling ‘philosophized’ glitter all over my playlists. As a matter of fact:

Dec 5, 2024

Top 15 EPs of 2024


15. Castrated - Surgical Vissicitude
14. Father Befouled - Immaculate Pain
13. Emasculator - The Disfigured and the Divide
12. Gravenoire - Devant la porte des étoiles
11. Crucifixion Ritual - Desecration of the Archangels
10. Sortilegia - Sorcerous Communion
9. Killing of a Sacred Deer - Killing of a Sacred Deer
8. Black Funeral - Wallachian Voivode
7. Gorgasm - Sadichist
6. Hate Forest - Justice
5. Gutvoid - Breathing Obelisk
4. Disentomb - Nothing Above
3. Orgy of Carrion - Rusted Gateways
2. Cavern Womb - Stages of Infinity
1. Sedimentum - Derrière les portes d'une arcane transcendante

Nov 9, 2024

Grave Heresy - Incineration Victory (2024)

grave heresy incineration victory album cover 2024

It began as a quiet rebellion, a slow erosion of faith, but soon the whispers gained momentum, reverberating through the lands like the rumble of distant thunder. Mortal flesh weakened, unable to withstand the strain of resisting the unholy power brewing in the depths. The people, driven by desperation and rage, sought answers that transcended the flesh – an escape from the limits of mortality.

Then, as if heralding the final days, came the incineration victory, an unholy triumph that left towns and villages in cinders. It was not the fire itself, but the twisted ritual that accompanied it, a sacrilegious rite, and an act of utter defiance against divinity. Here, the hammer of anti-creation itself was swung, erasing belief and reducing the concept of sanctity to ashes. In the charred remains, the faithful found only emptiness.

But the worst was yet to come. A crimson dawn signaled the onset of conquest, a campaign driven by an insatiable lust for dominion over the remnants of the faithful. Sulphurist hordes were summoned from the nether, legions of beings crafted from the essence of suffering and malice, their arrival a mass death proclamation that echoed across the desolate landscape.

Warhead worship became the new gospel, a twisted reverence for annihilation and destruction. This was no ordinary conflict, but an ageless onslaught, a battle that seemed timeless, relentless. The skies grew dark as great plumes of smoke and the stench of sulfur rose, signs of the summoning of the sulphurist hordes. They poured forth like an unstoppable torrent, sweeping over the land in a wave of malice and destruction, leaving behind a scarred and desolate wasteland.

In the end, there was nothing but silence, a land stripped of life and hope. The so-called "victory" was hollow, an incineration victory that left only ashes and despair, as the prophecy of mass death came full circle. A somber, eternal reminder of the perils of unchecked ambition and heresy.

Incineration Victory

Oct 9, 2024

Scarlet Empyrean - Nattlyd (2024)

Scarlet Empyrean Nattlyd album cover 2024

In a realm where mountains rose into the sky like the bones of forgotten titans, and rivers carved silver veins through an emerald tapestry of wild lands, there existed an ancient kingdom known as Veridyn. It was a land untouched by time, where the trees whispered the stories of creation, and the stars themselves seemed to hum with the deep rhythms of life. In this place of mysticism and spiritual power, the forces of nature ruled as sovereigns, until the Obsidian Monarch rose from the depths of the Scarlet Empyrean.

The Obsidian Monarch was not born of earth or sky, but of something far older—an entity born in the Depths of Uncompacted Light, where time and space wove together in an eternal flux. A being of pure shadow and flame, his ascent was heralded by a sky stained crimson. The birds no longer soared above, and the winds became still, as if the world itself held its breath in anticipation of the coming storm.

War followed in the Monarch’s wake, casting a pall of devastation across Veridyn. His armies, creatures of twisted metal and dark magic, marched with relentless precision. Under the burning sky, they scorched the earth, turning the once-green fields into barren wastelands. The heart of battle raged across the land, and the once serene groves and tranquil rivers were now stained with blood. But within this chaos, a quiet strength grew.

The people of Veridyn had always revered the natural world, and in their darkest hour, they turned to it for guidance. Among them was a young warrior-priestess named Aeliora, who had long studied the sacred art of Serenity Within Devastation. It was a philosophy passed down by the druids, one that taught the balance between destruction and creation, war and peace, life and death. She understood that to fight the Obsidian Monarch was not merely a matter of steel and spells; it was a battle of the soul.

Aeliora journeyed into the heart of Veridyn’s oldest forest, a place where even the trees bore scars from the primordial wars of creation. There, in a hidden glade, she sought the counsel of the Eldertree, an ancient sentinel that had stood since the beginning of time. Its voice, deep and resonant, spoke within her mind, guiding her to an understanding that would turn the tide of battle.

“To soar above the Scarlet Empyrean is to embrace the light and the shadow within,” the Eldertree whispered. “Only through both can you find the strength to confront the Monarch.”

Aeliora spent days in meditation beneath the branches of the Eldertree, seeking the serenity that lay hidden in the heart of devastation. She tapped into the primal forces of nature, the wind, water, and earth flowing through her veins like rivers of power. It was here that she realized the Obsidian Monarch’s fatal flaw—his being was of uncompacted light, the very essence of the universe before form. But he had rejected balance, consuming himself in the shadows. Aeliora would have to channel both creation and destruction to defeat him.

When the time came for the final confrontation, Aeliora stood before the gates of Veridyn, her people behind her, their hearts heavy with the weight of war. The sky above was an ocean of scarlet fire, and from it descended the Obsidian Monarch, a being of twisted majesty, his form wreathed in flames darker than night. The heart of battle thrummed in the air as their eyes met, and in that moment, Aeliora saw the full depth of his despair—an endless hunger for power and immortality.

The battle was swift and fierce. The Monarch wielded dark magic that shattered stone and scorched earth, while Aeliora moved like a leaf on the wind, channeling the elements. For every strike of devastation, she responded with serenity, and for every onslaught of shadow, she unleashed a torrent of light.

In the end, it was not Aeliora’s strength that defeated the Monarch, but her understanding. As their battle raged in the depths of the Scarlet Empyrean, she offered him what he could not comprehend—balance. Aeliora opened her soul to both the light and the darkness, embracing the chaos of war and the peace of nature, creating harmony where there had only been division.

The Obsidian Monarch, faced with this revelation, faltered. His form, once so powerful, began to unravel, the uncompacted light within him dissipating into the ether. He was a being of imbalance, and Aeliora’s serenity shattered him.

As the Monarch dissolved into the air, the scarlet sky above began to fade, the once-devastated lands now bathed in the golden light of a new dawn. The people of Veridyn stood in awe as the winds began to stir again, birds took flight, and the rivers once more flowed clear and strong.

Aeliora stood before the Eldertree, her spirit forever changed. She had not only won the war but had become one with the forces of nature itself—a living embodiment of Serenity Within Devastation. The scars of battle would remain on the land, but within them, life would flourish anew. She had soared above the Scarlet Empyrean and had found the peace that lay in balance.

And in the depths of her soul, she knew that the war had been not just for her people but for the very essence of the world—an eternal dance of creation and destruction, light and shadow, all bound together in the endless cycle of life.

Nattlyd

Sep 15, 2024

Necrosorcery - Necrosorcery (2024)

Necrosorcery self-titled album cover 2024

In the forgotten age of the Mystical Kingdom, nestled beyond the reach of time, a serene land flourished under the protection of The Gleam. This ethereal force bathed the world in golden light, its brilliance illuminating even the darkest corners of human hearts. People lived in harmony, unaware of the shadows stirring beneath their feet.

Yet deep in the bowels of the earth, beneath the pastoral hills, a dark art festered—necrosorcery, the forbidden magic of death. It whispered among the roots of the trees, coiling around the bones of forgotten beasts. Its practitioners were few, driven mad by the craving for immortality. They sought to harness life’s final breath, to twist it into a power greater than any The Gleam could offer.

One such sorcerer, Malreth, descended into the catacombs with a purpose. He clutched a relic of power, A Golden Bough, which once belonged to the ancient kings who could speak with the dead. Legends spoke of its ability to open the door between life and death, and Malreth was determined to wield it for his own dark purpose.

But as Malreth stepped into the cold embrace of the underworld, he did not find merely restless souls awaiting his call. Instead, an ancient, forgotten force greeted him—one born of the very first slaughter. It was a Seraphic Slaughter, the massacre of angels during the kingdom's creation. Their divine blood soaked into the earth, giving rise to unspeakable horrors. Malreth now stood face to face with them, the shadows of their wings casting long silhouettes across the cavern walls.

With a twisted incantation, he raised the Golden Bough, but the angels, corrupted by their fall, tore through his defenses. Their once-pure essence had become dark and terrible. The gleam in their hollow eyes promised a fate worse than death—eternal servitude to their wrath.

As Malreth fell, pastoral impalement began. From the very earth, roots and vines, innocent and thriving above, pierced through his body in a grotesque display of nature reclaiming its own. It was not just his life that was taken but his soul, forever tethered to the undead angels he sought to control.

And so, The Gleam flickered above, casting one last spark of light on a peaceful land, unaware that beneath their feet, the dark tides of necrosorcery and Seraphic Slaughter were rising. The Mystical Kingdom stood, but its golden era was slipping away, inch by inch, into the grasp of the shadows.

Spellbound (Red Death)

Jun 30, 2024

Kvaen - The Formless Fires

 
I had slept on this band. I saw Kvaen live last year and the performance blew me away, as I was not aware of the significantly above average musicianship and ideas contained in their previous record The Great Below. I got even more into them with their debut The Funeral Pyre, and became a fan basically right after that live show. 
 
Top-notch guitar lines, amazing solos and blasting melodic black metal patterns right out of Sweden's heart, The Formless Fires points fingers at legends like Necrophobic, Naglfar and Dark Funeral, but it has its own sound at the same time. I clearly prefer the fast paced moments of the album compared to the slower ones, but it's all in all very decent. 
 
The guitar work is once again a highlight for them, and it's a must for the fans. Hopefully the addition to a much bigger label like Metal Blade will give Kvaen the exposure they deserve. This album doesn't hold back at all.

Listen to  

May 21, 2024

Botanist - Paleobotany

 Avantgarde Black Metal / Experimental, United States
Spring 2024, Prophecy Productions
 

On their twelfth full-length "Paleobotany", BOTANIST take us back more than 70 million years to a time when dinosaurs ruled the planet and early forests began to turn to coal. Before the age of giants ended in flames with the apocalyptic impact of the Chicxulub asteroid, many plants also grew much larger than their descendants that we know today. "Paleobotany" comes with all the trademark characteristics that set BOTANIST apart from all other metal acts on this planet. Lyrically, the band from San Francisco, CA revolves around species of plants – in a clean break from the usual genre stereotypes like Satan, dragons, and booze. 
 
Their music clearly has its foundation anchored in 'metal', but instead of 6-string guitars the Americans use 110-string hammered dulcimers. To the confused horror of traditionalists, BOTANIST fit these percussion-stringed folk instruments with magnetic pickups and distort them through various perverse means that range from amplifiers via analogue tape to digital manipulation. The resulting sound is as unique as spectacular. BOTANIST's continuing sonic evolution began at an audible Nordic black metal shaped point of entry. The band soon developed a more open, avant-garde style, leading towards a growing complexity. 
 
On "Paleobotany", the Californians have shed some of the more convoluted progressive elements in favour of more song-oriented arrangements that are still rich in details and surprises, which is enhanced through the album being mixed by renowned Swedish producer Fredrik Nordström (DIMMU BORGIR, OPETH, AT THE GATES) at Studio Fredman. BOTANIST are a unique band. "Paleobotany" expands their dark green sonic range of an avant-garde metal sound into a more accessible and dynamic sonic experience. When quadruped giants walked the earth, plants were already there and they will still be here when mankind has gone back to stardust. BOTANIST win their musical future by travelling millions of years into the past with "Paleobotany"!

May 5, 2024

Lidérc - Prof​á​n Myst​é​rium

Black Metal, Hungary
Spring 2024, Sun & Moon Records


Lidérc was formed in 2020 in Veszprém, Hungary by old friends and musicians from bands like Niedergang, Infectus and Lepra. After a successful 2-song promo, the first full-length album of the band is finally ready to unleash. The album consists 6 songs of maniac medieval decadence with poetic Hungarian lyrics and detailed traditional hand drawn layout.

The name Lidérc is coming from the local folklore, where it appears as a malevolent house spirit, and a shapeshifting supernatural power. The music and the lyrics are evoking a rustic medieval-infused world of deranged alchemists, superstitious masses and rural witchcraft practitioners, with a vicious, grotesque and twisted sonic atmosphere. The themes of Lidérc are fast-paced, aggressive and sometimes uplifting, but they also emanate a strong melancholic decadence, which culminates in the symbolist-inspired lyrics as well.

The title of the album ‘Profán Mystérium’ refers to a mystery play, and the tracks can be perceived as stations on the path of damnation, the story of a glorious downfall revolving around the lyrical speaker. It can also be viewed as a kind of profane carnival, in which the participants symbolically destroy the existing moral structures by creating institutionalized confusion and chaos, turning the world upside down, spitting in its face and sell their souls to the Devil.
 

Apr 12, 2024

Martikor - Acedia

 
"Acedia" builds upon Martikor’s blend of atmospheric sludge, post-metal, black metal, and experimental textures. Conceptually, it delves into the intricate process of mourning, exploring both the anticipation and reflection associated with grief. Each track is aiming to confront and navigate the shadowy corners of the psyche, and the dark nature of the music serves as a reflection of the transformative power inherent in the exploration of complex human emotions.

Mar 28, 2024

Sun of Nothing - Maze

Ο όρος "Λαβύρινθος" χρησιμοποιείται πολλές φορές για να δηλώσει ένα οικοδόμημα με πολύπλοκους διαδρόμους που καθιστούν δύσκολη ή αδύνατη την έξοδο από αυτό, καθώς και κάθε παρόμοια διάταξη δρόμων ή στοών.

1. Liars in Wait
2. After the Fall
3. Ghost
4. Voidhanger
5. Buried Endeavors

Feb 18, 2024

Darkspace - Dark Space -II (2024) Review

It's been 10 years since the last Darkspace album and we almost forgot about them. In the meantime, we did get Paysage d'Hiver full length albums from Wintherr though, which is pretty groundbreaking for people aware of the specific project.

I have to say, the case of Darkspace is one of a kind and if you get behind it, you don't dislike anything from them, as the direction and the concept is quite specific and never going to change. Not to mention, these are the only people that are worth of acquiring the label of "cosmic black metal". Many have tried, all have failed except Darkspace.

Things have been quiet, the Swiss brand name returns in the usual enigmatic manner, after an almost experimental album in 2014 that didn't win me over. My opinion that Dark Space III is by far their best has not changed, and it is the same with Dark Space -II.

There's not the usual approach here, Darkspace explores some distant funeral doom in the way Elysian Blaze does, focuses 100% on building the atmosphere, and the idea of a riff is splintered.

Apart from a quite long introduction of almost eight minutes, the one piece in Dark Space -II makes you happy the band is back, but that's it. These 47 minutes of music are enjoyable, maybe with too much meandering but all the haunting presence of Darskpace is quite strong.

It is objectively a great album, but maybe a slight disappointment considering what they are capable of doing. Insta-purchage without a question, and a nice return after a decade, making 2024 a little bit "darker".

Let the vastness of space consume you. [3.5 out of 5 - Great]

Bern, Switzerland | Season of Mist

Track listing:

1. Dark -2.-2

Total runtime | 00:47:12

Jan 20, 2024

Abigor - Taphonomia Aeternitatis (2023) Review

Abigor's latest release, initially distributed solely through physical formats, pays homage to the old school while presenting a remarkably forward-thinking album, arguably their most ambitious work to date. Demonstrating remarkable consistency, the album echoes strong influences from Deathspell Omega, embracing orthodox black metal perspectives with unhinged vocals, intricate songwriting, and theatrical delivery. The inclusion of haunting female clean vocals adds an eerie dimension to the already terrifying straightforward black metal elements. This substantial and intricate release demands repeated listens, revealing itself as a true grower. While some might identify filler moments in certain sections, these nuances contribute to the overall spectacle. Esteemed by hardcore fans, it surpasses their post-Quintessence works, marking a compelling evolution in Abigor's musical trajectory. [3.5 out of 5 - Great]

Release: December 21st, 2023
Label: World Terror Committee

Jan 17, 2024

Hauntologist - Hollow (2024) Review

Hauntologist Hollow 2024 cover
Mgła has teased the possibility of two more releases this year, leaving fans eagerly anticipating what they (and KSM) have in store. Meanwhile, Darkside's collaboration with The Fall (Over the Voids..., Owls Woods Graves), under the moniker Hauntologist, unveils an album that sits at the crossroads. Half of it resonates with the familiar semi-decent Mgła vibes, showcasing their signature style. The other half ventures into the realm of experimental post-rock and post-metal, offering a unique soundscape that is, well, okay. While uncertain about revisiting this release, especially considering the remarkable capabilities of these musicians, it still manages to strike a chord. Hauntologist's offering is a blend of the expected and the exploratory, creating an album that, although not an instant classic, holds its ground as an intriguing deviation. [3 out of 5 - Good]

Release: January 8th, 2024
Label: No Solace