When did contemporary Norwegian black metal shift from corpse-painted despotism to more reflexive frameworks? Rosa Faenskap's sophomore album Ingenting forblir (= nothing endures) challenges the country's sonic tradition while not completely abandoning it, in what is a continuum of dark hardcore / post-black metal with a distinct Nordic genealogy. Having been oblivious of the trio's debut Jeg blir til deg (2023), I grappled with the record without knowing what to expect, which certainly wasn't this hybridization of tremolo worship, clean guitar diffusion and temporal undulation that consistently draws from multiple stylistic reservoirs (doom, prog, post-rock, punk) even with pure black metal as the anchor of its formalism.
Opening piece "Den svake mannen" is the instructive example of the band's methodology, tinkering shoegaze-like guitar lines on a path that gradually moves in heavier doom / black metal aggression. Some of the most characteristic Norwegian outcries can be found on the first notes of "Faenskap for alltid" (and later, also on "Bygg til himmelen", but of course not exclusively), but they never overstay their welcome. Punk-inflected vocals and abrupt tempo shifts, frequently switching with more layered post-rock breaks, felt to me like Rosa Faenskap consciously attempts to re-situate black metal within the family tree of radical underground music, and maybe wash some of the stain away.
The album's concept truly is the hottest punchline here. Where's the misanthropy, where's the pagan romanticism or the glorification of death? The band's intensity of expression has political concerns, with lyrics about social injustice and rising hatred, environmental worry and queer liberation. This alone will stir the pot enough for Ingenting forblir to be discussed, but it's engaging enough from a musicological perspective to grant at least the basic level of acknowledgement. Momentum of hardcore-boosted black metal across instances of ambient, almost cosmic interludes on "La barna leve" and "Klarhet i kaos" keeps the attention and never lets the dance between genres to quiet down.
One of my favorite moments on the album is the gloomy acoustic guitar introduction of "Famler i hatet", as well as the continuation in tormenting, mostly middle-paced speed and howling vocals, which randomly reminded me of another track by the Danish dark hardcore band Église, named "Have I Become Hell". Possibly not related anywhere else except my brain, but they do fit in the same playlist. Ingenting forblir covers an emotional range from despair to optimism, most notably in the almost ten-minute closing track "Jeg våkner snart", where the band accumulates all the rhythm and distortion it can to finish things off in a form of cleansing. It's one of the most demanding pieces but flows nicely, as does the whole of the record.
Apart from the elephant in the room, which will not be commented further, this is how experimentation and unrest can result in an album's benefit. Rosa Faenskap's musical multiplicity lifts them above the average blackgaze atmospheric wash. It gets its hands dirty when it needs to despite the apparent eclecticism meant to scare off black metal's bad boys. Some changes did feel a bit sudden, and some softer instances stretched, but the excitement doesn't reduce when listening to it. I could say, as exciting as hearing what people would have to say about it.
Rating: 3.5 out of 5
